March 2018

LIFT Strategic Design selected to design Vietnam’s newest airline: Bamboo Airways

Tokyo-based LIFT Strategic Design has been selected to design the brand, livery and cabin for Bamboo Airways of Vietnam. The Hanoi-based carrier is being launched by the FLC Group, one of Vietnam’s largest real estate development companies.

Daniel Baron, LIFT’s CEO said: “We are very excited to be working with FLC, and are grateful for their confidence in LIFT. They have a clear long-term vision for their new airline. We look forward to working with the Bamboo Airways team to develop a strong brand that serves them well for many years.”

Dang Tat Thang, Bamboo Airways CEO, said “LIFT brings tremendous airline brand experience and passion as a strong partner for our company. My team and I look forward to creating Vietnam’s new airline with them.”





June 2017

Philippine Airlines unveiled the first of its newly reconfigured A330-300s, with cabin design by LIFT Strategic Design

LIFT also designed the cabin for PAL’s recently delivered 777-300ERs, and is working on the airline’s next-generation A350 and A321 fleets, to be launched in 2018. LIFT worked with PAL on cabin design for its first batch of 777-300ERs in 2007 as well.

“Over the past ten years, we have worked with PAL on twelve seat programs across seven fleets. The PAL team is truly like family, and I am deeply grateful for their trust and friendship.”

“Above all, the design reflects PAL’s aspiration to be a top-rated airline to, from and within the Philippines, one of Asia’s most dynamic economies. Many PAL employees have been at the carrier for decades. They are passionate to see their airline deliver on the company’s tagline ‘the heart of the Filipino’.

“In terms of hard product and styling, PAL’s recently added 777-300ERs represented an evolution. The reconfigured A330, however, is about revolution, with a new design on forward and rear walls, enhanced seat comfort and privacy in business class, and a new service class (premium economy).”

Inspiration for a new generation: the elegant Barong Filipino

“On any aircraft, the forward and rear walls of each seating zone define the ambience of the entire cabin. What goes on those walls also drives visual differentiation between classes, and between airline brands.”

“Over the past ten years, our original wall design for PAL, “Coastlines”, has served PAL well, welcoming customers with its soft shades of blue that represent the view of an island coast from above in a land of 7100 islands. But it was time for something new and completely different, something that further underscores PAL’s positioning as the full-service airline of the Philippines.”

“One aspect of the country’s rich cultural heritage stood out more than anything: the incredible beauty and diversity of its textiles. We wanted to celebrate this and create a modern interpretation suitable for an aircraft cabin. We chose a geometric element from a Barong Filipino, the traditional shirt worn by women and men throughout the country. Just like a piece of clothing woven with skill and love, the forward and rear wall coverings gently ‘wrap’ the cabin environment in warmth and elegance.”

In premium classes, the barong element appears in vertical sections of light gold and silver on a beige background. In Economy Class, the same pattern is used on a white background. “It communicates professionalism and filipino hospitality to foreign visitors, and immediately says ‘welcome home’ to Filipinos the moment they step aboard.”

Business Class

“Our styling of the Thompson Aero Seating Vantage XL business class seat began with a simple proposition: the seat as embodiment of PAL’s true potential as a full-service network carrier. It’s about leveraging the visual and tactile qualities of a product to instantly communicate ‘premium experience in a calm, stylish environment.”

“The external surface of the seat shell is a delicious shade of champagne with a soft metallic finish that instantly communicates ‘premium’. A dark blue fabric for the shell lining creates a sense of cocooned coziness, while absorbing sound for an even more peaceful rest.”

“The seat fabric is a basket weave pattern of in two soft shades of blue, with detailing in cream.”

“The same barong pattern used for forward and rear walls of each zone appears on the lining of the pocket in shades of pewter and light gold, for a touch of classic glamour. “

“The retainer for the personal item shelf features a texture inspired by filipino mother of pearl known locally as capiz,”

“Table inlays have a pressed bamboo pattern, a reference to the abundance of beautiful natural materials used throughout the country in furniture and home decoration.”

“The business class seat covers also feature contour lines that reference PAL’s sunburst logo while enhancing perception of comfort. A small touch that underscores PAL’s commitment to quality throughout the customer journey.”

New and true premium economy seat

“PAL’s new Premium Economy Class provides an upgraded experience in a dedicated zone just after Business Class. The seat fabric features an elegant basket weave pattern in medium blue mixed with mandarin. The result is a highly textured, premium look and feel. Complementing the fabric are meal and cocktail tables in a light wood grain. Together with the super comfortable seat packed with creature features, the ambience of the cabin communicates to customers a differentiated, enhanced experience.”

Dedicated carpet for premium classes

“Business class and premium economy have a dedicated carpet design. Inspired by banig, handwoven floor coverings, it has the appearance of colors very subtly overlapping in a geometric pattern.”

Economy class seat

“Economy class is no less important, in the sense that ever element needs to communicate comfort, a modern Filipino aesthetic and the incredibly warm hospitality for which PAL is well known.”

“The main seat fabric features a flip-flop color-change effect, meaning that the color appears different depending on the angle of view. With a single fabric, the seatbacks appear turquoise, while the seat bottom cushions take on a sunshine orange hue. The look is both dynamic and premium. The sides of the seats are covered in a different fabric with a diamond pattern that has roots in traditional filipino weaving. With headrests in blue or turquoise leather, the overall appearance of the seat is modern and clean, and unmistakably Filipino.”

Economy class carpet

The carpet in economy class features a background of deep-sea blue with tiny dots in turquoise, in a vertical pattern of alternating waves. It represents the sea linking a nation of 7,100 islands.





January 2017

LIFT designs special livery for HK Express, celebrating Japan’s Kagawa Prefecture…with possibly the world’s largest udon noodle and chopsticks

On 13 January in Takamatsu, Japan, HK Express and Kagawa Prefecture unveiled a special livery designed by LIFT Strategic Design.

The entire left side of the aircraft celebrates Sanuki udon, Kagawa Prefecture’s signature dish, with a gigantic pair of lacquer chopsticks holding an udon noodle. Sanuki udon is widely known and enthusiastically slurped throughout Japan.

The right side of the aircraft is dedicated to Ritsurin Garden in the city of Takamatsu, and features Engetsukyo (“crescent moon”) bridge, the largest bridge in the grounds, framed by traditional matsu (pine) trees.

The paint used for the dots on the chopsticks and bridge contains mica particles to create a sparkling effect in sunshine. The paint for the special livery was developed with Akzo Nobel Aerospace Coatings.

Playful details adorn both sides of the special livery. “OSHII!”, the Japanese word for “delicious”, appears to be emerging from the flight deck windows on the side with Sanuki udon noodles, while “KIREI”, the Japanese for “beautiful”, sits above a passenger window as if the passenger is viewing the bridge.

The engine cowlings left and right have logos of Kagawa Prefecture and the City of Takamatsu, respectively.

Coincidentally, the Japanese word for both chopsticks and bridge is “hashi” (written with different kanji), so regardless of the side, describing it as “the side with hashi” is delightfully accurate.

Regarding the designs, Daniel Baron, CEO of LIFT, said: “Most people around the world know Tokyo, Kyoto and Osaka, but Japan’s lessor known regions also have much to offer. Kagawa Prefecture is keen to build awareness throughout Asia about its rich food culture and beautiful tourist attractions. We wanted to help them stand out in a very big way both on the tarmac and in the air, so focused on two cultural icons of their region that are unmistakably Kagawa and Takamatsu. We also wanted to infuse the design with a touch of humor, which reflects the warm and down-to-earth hospitality that visitors to the prefecture enjoy.”

“The livery is a bold showcase for Kagawa, and promises to increase awareness of the prefecture as HK Express deploys the aircraft throughout its growing network” said Baron. “This was a tremendously fun and rewarding project. We are grateful to both the airline and the prefecture for the chance to be a part of this exciting collaboration”




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